Saturday, 23 August 2008

Album Review: The Stills, "Oceans Will Rise" (Arts & Crafts)

With hemorrhage hearts and upbeat belt down melodies, The Stills [ ] make a notable comeback with their third album, "Oceans Will Rise."

When vocalists Tim Fletcher and David Hamelin sing tough guy warnings like "Don't lecture down to me," it's hard to take them seriously amongst the blissful swirl of guitars and drums during the album opener, "Don't Talk Down." The record may start with a callous attitude, but nigh of its lyrics tinct on heartache, regret and panic. The subject matter remains pretty dismal, spell the music usually keeps things breezy and uplifting, which isn't always a good thing here.

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Throughout "Oceans Will Rise," in that location is a sense that The Stills are grasping for their next hit-making chorus. They get closest with "I'm With You," an emotive, inspiring collage of spirited sounds that gloriously climax and folding. Rhythm-wise, the most interesting track is "Snakecharming the Masses." Using primitive, persistent drum pounding, this drifting tune reveals a darker, mysterious side of the indie pop rockers. Unmistakably U2-minded with bright, polished guitar celebrations and epic chorus force, "Being Here" is easy the most radio-ready tune. Then there's the jangly, fast-paced rock candy vibe of "Eastern Europe," which could have simply as easy been written by Black Rebel Motorcycle Club.

"Oceans Will Rise" experiments with a variety of styles--pop-rock, shoegaze, indie rock, alloy and post-punk--but the isthmus tends to sound c. H. Best during the stripped down, simple songs that showcase passionate lyrics. The best example of this is the beautifully depressing "Everything I Build," during which Fletcher somberly sings: "I can quiet see the smoke/From my train tabu of town/Everything I build is break down." Another powerful air defined by its minimal art is "Statue of Sirens," a reflexion about putt away the past.

The Stills may make made their career on full, stylishly catchy tunes, but on "Oceans Will Rise," it's the gut-wrenching ballads that prove to be their finest moments.



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Wednesday, 13 August 2008

Aimee Mann assembles holiday jaunt

Aimee Mann [ ] is in the thick of her summer turn, but she's already looking for ahead to December, when she'll head out for her third gear annual Christmas trek.

Presale ar currently useable for the holiday outing, which has stops set-aside in Los Angeles; Ridgefield, CT; Glenside, PA; Alexandria, VA; and Tarrytown, NY. Shows in Boston, San Francisco and New York will be added to the path soon, according to Mann's newsletter. Check Mann's web site for presale information.

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The singer/songwriter's Christmas spell has been known to incorporate various comedic hosts and familiar musicians world Health Organization vary from town to town. No doubt, Mann will break out material from her 2006 holiday collection, "One More Drifter in the Snow," which features originals and seasonal worker classics, including a version of Dr. Seuss' "You're a Mean One, Mr. Grinch" narrated by singer/songwriter Grant-Lee Phillips.

Mann has been on the road since June supporting her raw record, "@#%&! Smilers," which debuted at No. 32 on The Billboard 200 and snagged the No. 2 spot on the Top Independent Albums chart. Lead single "Freeway" remains in the Top 25 at Triple A wireless after eight weeks.

"@#%&! Smilers" is said to reflect a unique creative phase in Mann's calling that started after her success with 1999's "Magnolia" soundtrack, which was nominated for an Oscar, a Golden Globe and a Grammy.

"'Magnolia' got me focused on the idea of music and movies in a different elbow room," Mann explained in her bio. "I started looking for at songwriting from a different tilt. [2005's concept album] 'The Forgotten Arm' I wrote as a sort of soundtrack to an complex quantity movie. It's a capital way of looking at songwriting. It gets me out of my possess head and into the head of another character reference. I don't have to write around myself all the clip."

Mann's current North American tour runs through mid-September and she'll launch a month-long European jaunt in October. Her domestic dates are included below and those abroad can be found at her website.


[Note: The following tour dates have been provided by artist and/or tour sources, who verify its truth as of the publication time of this storey. Changes crataegus oxycantha occur earlier go on sale. Check with prescribed artist websites, ticketing sources and venues for late updates.]

August 200828 - Toronto, Ontario - Kool Haus29 - Royal Oak, MI - Royal Oak Music Theatre 31 - Highland Park, IL - Ravinia Festival September 20082 - St. Louis, MO - The Pageant 3 - Nashville, TN - Ryman Auditorium 4 - Tuscaloosa, AL - Bama Theatre5 - Atlanta, GA - Variety Playhouse 6 - Greensboro, NC - The Carolina Theatre 8 - Richmond, VA - The National 9 - Towson, MD - The Recher Theatre11 - Foxboro, MA - Showcase Live12 - Englewood, NJ - Bergen PAC14 - Westhampton Beach, NY - The Westhampton Beach PACDecember 20086 - Los Angeles, CA - The Wiltern 9 - Ridgefield, CT - Ridgefield Playhouse13 - Glenside, PA - Keswick Theatre 15-16 - Alexandria, VA - Birchmere 19 - Tarrytown, NY - Tarrytown Music Hall



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Wednesday, 6 August 2008

'Terminator Salvation' Stars Howard, Yelchin, Worthington Find Their True Fans At Comic-Con




SAN DIEGO — There are two types of movie stars who work the pilgrimage to Comic-Con: Those world Health Organization arrive with hopes of acquiring eccentric credibility, and those wHO bring it themselves.

"I walked the floor today! Oh, it was so much fun," enthused Bryce Dallas Howard, wHO toured several booths at her second Con before duty pulled her away for "Terminator Salvation" interviews. "I was actually truly disappointed when I was here for 'Spider-Man [3]' that we didn't have sentence in the schedule to walk the floor. I think Topher [Grace] came several hours earlier with his friends so he could do it. What's so great about Comic-Con is it's the fans — it's people wHO have exhausted a substantial amount of time invested in admiring the stories, admiring the heroism, the sci-fi aspects of these stories."

What fans have known for long time — and Hollywood has only late begun to realize as it has minted stars like Kristen Bell, Seth Rogen and Guillermo del Toro — is that fans can buoy sniff a phony a mile away. Which is why Howard and the other talents daring to try and resuscitate the "Terminator" film franchise experience confident that they are among friends this week.

"I've been an enormous winnow of 'Terminator' [movies] since I was a little kid, because they were huge," insisted 19-year-old Anton Yelchin, wHO got a big recreate at the preview this week. "When I was at my most impressible, they were at their biggest."

"I love the franchise," Howard echoed. "I'm a total jerk about it."

(Er, speaking of which, DC Unlimited has confirmed that it will be producing a short letter of products for the film.)

But as much as Day Three of Comic-Con had the "Salvation" stars professing their love for the series, it as well had them stressing the many things that will be different when the film hits theaters next May.

"What we want to do is show the fans that we're staying true to the mythology of the first deuce, and so give them the war they cherished," explained Australian newcomer Sam Worthington. "The first deuce ['Terminator' films] in especial, because they are darker and grimier. If the first one's a horror movie and the irregular one's a great natural action movie, the third is a frolic. And so the fourth one, hopefully, is a visceral 'Black Hawk Down'-meets-'Mad Max' movie."

Whether it soars or sucks, the reboot of one of fandom's most love franchises ultimately rests with three letters: McG.

"McG is dead," cautioned the manager, who gained fame with his slick music videos and "Charlie's Angels" films. "This is a young beginning. I think every filmmaker reserves the right to develop and allow the past behind. ... This movie is largely influenced by the language of Stanley Kubrick, the language of Alfonso Cuaron and such contemporaries as David Fincher and Chris Nolan

"There aren't many cuts," he swore. "And it's clxxx degrees removed from any music-video energy."

"Christian Bale is the charles Herbert Best actor of his generation, and he's our John Connor," McG continued, comparing his challenge to that of Nolan when he and Bale (who was not at Comic-Con this week) set out to reboot the Bat. "I would never be so bold as to say we'll own that kind of success, but we aim to. I don't think anybody would regard what Chris did with 'Batman Begins' as 'Batman 5,' and certainly 'The Dark Knight' is not 'Batman 6.' They well-thought-of the heritage of the franchise, merely they began again. And that's what we require to do."

So, for those of you scoring at home: Bale is the new Eddie Furlong, Howard is the new Claire Danes, and Yelchin is the novel Michael Biehn; if you want to start factorization in the "Sarah Connor Chronicles" actors, well, we're gonna motivation a larger scorecard.

"I play Kyle Reese as a young valet," Yelchin explained. "Kyle is John Connor's father, he went to protect Sarah Connor, and this is the decorous of the hero."

"My character is the bridge between Kyle and John," aforesaid the buirdly Worthington, cast off as a possible Terminator named Marcus Wright. "I help them change and grow, and I'm the catalyst for where they go to."

"This happens in the future, post-judgment solar day," explained McG. "It happens in 2018, and we see the development of [Skynet] on its elbow room to construction the T-800, which was indeed the Arnold Schwarzenegger model. So we get to have a gravid deal of fun eyesight giant robots roaming around the landscape, trying to kill all humanity. And John Connor's doing his best to hold on, and there's an interesting character named Marcus Wright — wHO we don't know incisively what he's made taboo of."

"I was doing a scene with Christian Bale, and we're inside some underground bunker where it's dirty and freaky," Howard remembered, when asked around the "Salvation" scene that first made her feel like she really was in a "Terminator" photographic film. "I'm alleged to look up, take in him, and then go towards and hold him. I hadn't seen him in his costume yet, and they were about to do rehearsal. They were like 'Christian's here!' and he rounds the corner. I look up, and he's in his John Connor rig, with a machine artillery, a satchel . ... There was this voice in my head locution, 'I cannot believe what is occurrence right right away. I cannot believe that I am in a Terminator film, about to hold John Connor!'"

Ultimately, however, the one question the stars standard the to the highest degree this weekend centered about the geeks' desire to bridge the old dealership with the new: Will Arnold make a cameo in the movie, or not?

"Well, I'm not at liberty to answer that," McG foxily remarked at the whimsy of a Governator cameo, knowing that any filmmaker who doesn't have a returning champion typically moves quickly to deny and get past such rumors. "And possibly in non answering it, I've answered it."

If the big bozo is provision to continue true to his catch phrase and "Be back," it would make the Comic-Con crowd and the "Salvation" talents quite happy — especially since they're one and the same.

"These are the people I'm doing it for," Howard summed up, look over at the costumed crowd. "Because I'm one of them."

For breaking news, celebrity columns, humor and more - updated around the clock - travel to MTVMoviesBlog.com.






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Monday, 23 June 2008

Jan Akkerman and Claus Ogerman

Jan Akkerman and Claus Ogerman   
Artist: Jan Akkerman and Claus Ogerman

   Genre(s): 
Rock
   



Discography:


Aranjuez   
 Aranjuez

   Year: 1978   
Tracks: 8




 





Lord of the Rings heirs sue New Line Cinema

Monday, 16 June 2008

I wasn't drunk, stumbling supermodel says

Naomi Campbell denies she was drunk when she fell over after a night out.

The supermodel, 38, was clubbing on the Italian island of Capri when she was photographed being hauled up from the pavement in the early hours of Wednesday morning.

Naomi has however insisted she was just playing a "trust game" with friends.

Her agent said: "It was just a bit of fun and not down to drink. Naomi was playing this trust game, where you fall into a friend's arms. It's very hot down there, so that could have something to do with it." 

Witnesses say Naomi went limp and her eyes glazed over as she dropped into the arms of one of her party. Another clubber also tried to grab her arm to stop her from taking a tumble.

The supermodel had arrived on the island by boat on Tuesday and after enjoying time with friends headed to a nightclub at around 1am on Wednesday.

One onlooker said: "We heard a little shriek and turned around. She was close to having a very embarrassing moment indeed, but managed to laugh it off."

Naomi could possibly face jail next week if convicted of air rage charges.

She is due to appear at magistrate's court in West London for the case on June 20.





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Sunday, 8 June 2008

Filo and Peri Feat. Fisher

Filo and Peri Feat. Fisher   
Artist: Filo and Peri Feat. Fisher

   Genre(s): 
Trance
   Dance
   



Discography:


Ordinary Moment CDS   
 Ordinary Moment CDS

   Year: 2006   
Tracks: 2


Ordinary Moment   
 Ordinary Moment

   Year: 2006   
Tracks: 2


Closer Now   
 Closer Now

   Year: 2005   
Tracks: 7




 






Saturday, 7 June 2008

'Iron Man' co-writers in for 'Sigma'

Adapting Robert Ludlum's novel





"Iron Man" co-writers Art Marcum and Matt Holloway have signed on to write the big-screen adaptation of Robert Ludlum's "The Sigma Protocol" for Universal. Paul Sandberg is producing along with Strike Entertainment's Marc Abraham and Eric Newman.


"Sigma" centers on an American economist who becomes the target of professional assassins. When a U.S. intelligence agent investigating his case finds herself discredited, the two end up on the run and uncover a multinational conspiracy manipulating the global economy and world events. The book was one of the last books written by Ludlum, who is the creator of the studio's ultra-successful "Bourne" franchise. (Sandberg was a producer on that series, along with Frank Marshall.)


The project was set up at the studio several years ago, and at one point had Jonathan Jakubowicz ("Secuestro Express") on board to write and direct.


Scott Bernstein and David Ortiz are overseeing for the studio.


"Sigma" is a continuation of the roll Marcum and Holloway have been on since "Iron Man's" success. The two are penning the "Highlander" remake for Summit and recently penned the original script "Convoy."


Marcum and Holloway are represented by ICM.



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